[Letter]

Author

Baetjer, Katharine

Document type

Article (journal)

Language

English

Source

Burlington magazine. 1990, Num. 1048, Vol. 132, 495

ISSN

0007-6287

Abstract (en)

Refers to Homan Potterton's review of the Canaletto exhibition at the Metropolitan Museum, New York (Burlington, 1990, 132, no 1042, Jan). Potterton questioned the attribution of two paintings in the exhibition: San Cristoforo, San Michele and Murano from the Fondamente Nuove, Venice (Dallas, Museum of Art) and Entrance to the Grand Canal: Looking East (Mr. and Mrs. A. Alfred Taubman Collection). Baetjer argues that both are authentic Canalettos datable to the mid-1720s.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Canaletto (Giovanni Antonio Canal), 1697-1768
• Painting
• San Cristoforo, San Michele and Murano from the Fondamente Nuove, Venice
• Dallas Museum of Art||Dallas (TX, USA)
• Entrance to the Grand Canal: Looking East
• Taubman, A. Alfred, b.1925
• Collections
• Italy
• 1700-1800
• Venezia (ITA)
• Views
• Exhibitions
• Metropolitan Museum of Art||New York (NY, USA)

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Canaletto (Giovanni Antonio Canal), 1697-1768
• Peinture
• San Cristoforo, San Michele et Murano depuis les Fondamente Nuove, Venise
• Dallas Museum of Art||Dallas (TX, USA)
• L'Entrée du Grand Canal regardant vers l'Est
• Taubman, A. Alfred, n.1925
• Collections
• Italie
• 1700-1800
• Venezia (ITA)
• Vues
• Exposition
• Metropolitan Museum of Art||New York (NY, USA)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920101-00418462

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license