Dacos states she has not attributed the four biblical histories of the Stanza d'Eliodoro vault (Rome, Vatican) to Guillaume de Marcillat, but has instead put forward the name of Alonso Berruguete. Henry suggests that, when describing Raphael's Heliodorus vault in his Vite in the 1540s, Vasari refreshed his memory by re-viewing a work which was based on Raphael's model--the nave vault of Arezzo cathedral painted by Guillaume de Marcillat. Both authors refer to an article by Sylvia Ferino-Pagden in Burlington, 1990, 132, no 1044 (Mar).
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