Opens with discussion of Christine de Pisan's own views on the advisability of dressing according to one's social rank. Then examines the costume selected for Christine in several portraits of her in French and Flemish manuscripts of her poem The treasures of the city of ladies. Concludes that, as her reputation increased in the decades following her death, artists depicted Christine de Pisan in increasingly costly and fashionable garb--in direct opposition to both fact and her own written word.
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