Power, its myths and mores in American art, 1961-1991
- Author
- Day, Holliday T.; Wallis, Brian (Contributor); Chave, Anna C. (Contributor); Marcus, George E. (Contributor); Roberts, Catsou (Contributor); Scoates, Christopher (Contributor); Wilbur, Debra (Contributor)
- Document type
- Catalogue d'exposition
- Language
English
- Source
- Power, its myths and mores in American art, 1961-1991. 1991, 159 p., ill. (some col.); bibliogr. ref.; index
- ISBN
- 0936260572
- Publisher
- Indianapolis Museum of Art in cooperation with Indiana University Press, Indianapolis (usa)
- Publication country
- United States
- Abstract (en)
- This exhibition, and the essays by Day, Wallis, Chave, and Marcus in its accompanying catalogue, examine the ways in which American art, over the past 30 years, has mirrored power relationships in American society, including those involving gender, race, and class. The exhibition presents works in a variety of media by 28 American artists, ranging from Andy Warhol to Dennis Adams; recent art is viewed in the context of precedent-setting Pop and Minimalist art of the 1960s; works are arranged into groups reflective of their approach to the theme of power.
- Exhibition
- 11 May-12 July 1992 ; Virginia Museum of Fine Arts ; Richmond (VA, USA) ; United States
- 18 Jan-21 Mar 1992 ; Akron Art Museum ; Akron (OH, USA) ; United States
- 5 Sept-3 Nov 1991 ; Indianapolis Museum of Art ; Indianapolis (IN, USA) ; United States
- Subject (en)
- Subject (fr)
- Origin
DatabaseBHA (Inist-CNRS/GRI)
Identifier19920401-00424681
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license
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