Margaret of York and the Burgundian portrait tradition
- Author
- Smith, Jeffrey Chipps
- Document type
- Article (acte de congrès)
- Language
English
- Conference title
- Margaret of York, Simon Marmion, and the Visions of Tondal : papers delivered at a symposium organized by the Department of Manuscripts of the J. Paul Getty Museum in collaboration with the Huntington Library and Art Collections, June 21-24, 1990
- Author (monograph)
- Kren, Thomas (Editor, Collective Author)
- Source
- Margaret of York, Simon Marmion, and the Visions of Tondal : papers delivered at a symposium organized by the Department of Manuscripts of the J. Paul Getty Museum in collaboration with the Huntington Library and Art Collections, June 21-24, 1990. 1992, p. 47-56, 13 ill.
- Publisher
- J. Paul Getty Museum, Malibu (usa)
- Publication country
- United States
- Abstract (en)
- Looks at the nine portraits of Margaret in 30 books that she owned or are associated with her patronage. Argues that she was "the first Burgundian duchess to develop a distinctive portrait image, one that shows diverse aspects of her religious character: her devoutness, her spirituality, and her charity. To effect this portrayal, she borrowed to a degree from the Burgundian prototypes provided by the dukes, but also created wholly new iconographies."
- Subject (en)
- Subject (fr)
- Origin
DatabaseBHA (Inist-CNRS/GRI)
Identifier19920401-00424814
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license
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