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Marie-Jo Lafontaine and those who would seek to know, to fix and to hold that which is not

Author
Blakey, Richard
Document type
Article (journal)
Language
English
Source
Third text. 1990, Num. 12, p. 41-58, 3 ill.
ISSN
0952-8822
Abstract (en)
Criticises the theory, elaborated in the catalogue of the exhibition Mary-Jo Lafontaine (London, Whitechapel Art Gallery, 1989, and touring), behind her piece entitled Savoir, retenir et fixer ce qui est sublime, which consisted of 17 large, similarly posed and lit, photographic portraits of young women of mixed race.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00425205

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license