Examines the use of documentary photography in two projects initiated during Lyndon Johnson's Great Society era: the 1968 report of the Kerner Commission (Report of the National Advisory Commission on Civil Disorders) and the video documentaries produced by Boston's Urban Planning Aid, 1968-1980. Both depict conditions in black inner city ghettos, but from different points of view: the state-sponsored Kerner report contains photographs which objectify inner city blacks, while the UPA documentaries shift the balance of representational power in favor of the urban working class.
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