Passionsreliefferne i Forshem : en nyvurdering set i relation til motivernes forekomst i det øvrige Europa

Author

Sorgenfrey, Karen

Document type

Article (journal)

Language

Danish

Source

Iconographisk post. 1990, Num. 2, p. 1-18, 7 ill.

ISSN

0106-1348

Abstract (en)

Discusses a unique representation in Sweden of the Depositio drama in relief sculpture, ca.1150 (Forshem church, Västergötland). Argues that the scene, which includes the "Visitatio Sepulcri," is based on Amalarius von Metz's interpretation of the mass. Notes that earlier scholarship has regarded the reliefs as depicting either an Easter play or the Passion of Christ by misinterpreting the Deposition as a Crucifixion. Compares the reliefs with other representations of the theme in a 12th c. early Netherlandish reliquary, 11th c. Spanish reliefs, and a 12th c. Italian tympanum.

Subject (en)

• General history of art -- 300-1400 -- Sculpture -- Sweden
• Sweden
• 1100-1200
• church||Forshem (Skaraborgs län, SWE)
• Sculpture
• Relief sculpture
• Jesus Christ: Deposition
• Iconography
• Christian iconography
• Liturgy
• Amalarius von Metz, archbishop of Trier, ca.775-ca.850
• Germany
• Influence
• Jesus Christ: Marys at the tomb
• Comparison
• Netherlands
• Reliquaries
• Spain
• Italy

Subject (fr)

• Histoire générale de l'art -- 300-1400 -- Sculpture -- Suède
• Suède
• 1100-1200
• église||Forshem (Skaraborgs län, SWE)
• Sculpture
• Relief
• Christ: Descente de croix
• Iconographie
• Iconographie chrétienne
• Liturgie
• Amalaire, archevêque de Trèves, v.775-v.850
• Allemagne
• Influence
• Christ: Saintes Femmes au tombeau
• Comparaison
• Pays-Bas
• Reliquaire
• Espagne
• Italie

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00426197

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