Describes Hans Haacke's 1990 mixed media sculpture, Helmsboro Country, a huge cigarette pack based on the Marlboro design. Notes the ironies and layers of meaning packed into the work, which aims to expose the interrelationships between United States Senator Jesse Helms, the Philip Morris Tobacco Company, and art patronage, particularly in light of Helms's recent attack on the National Endowment for the Arts for funding obscene art.
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