Interprets Grünewald's ca.1510-1515 altarpiece (Colmar, Musée d'Unterlinden) within the context of its original setting (the Antonite monastery and hospital at Isenheim); patronage; role within ritual practices (including healing); and intended reception. Also discusses the dialectic of word and image, and Grünewald's reception by the German Expressionists.
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