Analysis of Huber's painting of the crucifixion of Christ, Allegory of the Cross (Vienna, Kunsthistorisches Museum), painted in Passau ca.1550. Discusses Huber's treatment of the subject in relation to contemporary religious politics, including the views of the donor, bishop Wolfgang von Salm, who is prominently depicted in the foreground of the painting.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license