Interprets Lassnig's paintings, 1960s-1980s, described as expressionistic self-portraits in which the external representation of the body is eliminated while the internal appearance, the sense of the body as feeling, is revealed. Discusses the impact of Lassnig's 18 years as a student in a convent school in which it was forbidden to touch your body, and the resultant self-alienation/self-splitting which she depicts in many of her canvases.
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