Art on the installation plan

Author

Deitcher, David

Document type

Article (journal)

Language

English

Source

Artforum. 1992, Num. 5, Vol. 30, 78-84, 10 ill. (4 col.)

ISSN

0004-3532

Abstract (en)

Examines the current appeal of installation and site-specific art, noting its dual ability to function as a means of deconstructing the museum or reconstructing it. Discusses the heritage and contemporary meaning of installation works in relation to examples in two recent exhibitions: Dislocations, Museum of Modern Art, New York, organized by the Museum's new curator Robert Storr; and Carnegie International 1991, Carnegie Museum of Art, Pittsburgh.

Subject (en)

• General history of art -- 1945-present -- New media
• Installation works
• 1900-2000
• Exhibitions
• Museum of Modern Art||New York (NY, USA)
• Carnegie Museum of Art||Pittsburgh (PA, USA)

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Nouvelles formes artistiques
• Installation (oeuvre d'art)
• 1900-2000
• Exposition
• Museum of Modern Art||New York (NY, USA)
• Carnegie Museum of Art||Pittsburgh (PA, USA)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00427862

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