"Salle/Lemieux" : elements of a narrative

Author

Smith, Paul

Document type

Article (livre)

Language

English

Book title

Interpreting contemporary art

Author (monograph)

Bann, Stephen (Editor, Collective Author); Allen, William (Editor, Collective Author)

Source

Interpreting contemporary art. 1991, 139-161, 4 ill.

Publisher

Reaktion, London (gbr)

Publication country

United Kingdom

Abstract (en)

Explores the narrative strand which is, broadly speaking, that of gender, in three American works of 1985 : David Salle's Tulip Mania of Holland (Pittsburgh, Carnegie Museum of Art), analysing the disposition of the male gaze and of interpretation, contrasted with Annette Lemieux's Homecoming, and Courting Death (both art market), which are interpreted as a de-eroticization and push towards demasculinization of the gaze.

Subject (en)

• General history of art -- 1945-present -- Pictorial arts -- United States
• Salle, David, b.1952
• Lemieux, Annette, b.1957
• Tulip Mania of Holland
• Homecoming
• Courting Death
• Painting
• Prints
• 1900-2000
• United States
• Carnegie Museum of Art||Pittsburgh (PA, USA)
• Gaze [nonverbal communication]
• Art
• Iconography
• Sex

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Peinture et arts graphiques -- États-Unis
• Salle, David, n.1952
• Lemieux, Annette, n.1957
• Tulip Mania of Holland
• Homecoming
• Courting Death
• Peinture
• Estampe
• 1900-2000
• Etats-Unis
• Carnegie Museum of Art||Pittsburgh (PA, USA)
• Regard
• Art
• Iconographie
• Sexe

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00428030

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