Interpreting contemporary art. 1991, 177-204, 8 ill. (1 col.)
Publisher
Reaktion, London (gbr)
Publication country
United Kingdom
Abstract
(en)
Argues that Deacon's sculpture Kiss and Tell, 1989 (Arts Council of Great Britain Collection), draws together techniques and themes in his work which imply an acknowledgement of human finitude and the connection between the possibility of being human and the processes of nature.
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