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Grimaces of the real, or when the phallus appears

Author
Žižek, Slavoj
Document type
Article (journal)
Language
English
Source
October. 1991, Num. 58, 44-68, 5 ill.
ISSN
0162-2870
Abstract (en)
Interprets Edvard Munch's famous painting, The Scream, the image of a scream not heard, using a psychoanalytic approach and the theories of Jacques Lacan. Discusses parallels with other anamorphotic distortions of reality, other "monsters," in films, literature, et al., including the elephant man and the phantom of the opera.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00428087

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license