Zu einem Gemälde von Hans von Aachen im Herzog Anton Ulrich-Museum

Author

Jacoby, Joachim

Document type

Article (journal)

Language

German

Source

Niederdeutsche Beiträge zur Kunstgeschichte. 1991, Vol. 30, 67-96, 9 ill.

ISSN

0078-0537

Abstract (en)

Analysis of Hans von Aachen's Venus and Adonis, proposing that it was painted in Italy in 1585. Examines its style in relation to copies and related drawings and to works by Hans Speckaert, Joseph Heintz, and Hendrick de Clerck. Examines the influence of various Italian treatments of the theme, especially Titian's (Washington, National Gallery of Art). Discusses the iconography in relation to Ovid's account in the Metamorphoses. Appendix comments on the attribution of two copies of von Aachen's Three Graces (Braunschweig, Herzog Anton Ulrich-Museum.)

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Germany
• Aachen, Hans von, 1552-1615
• Painting
• Venus and Adonis
• Herzog Anton Ulrich-Museum||Braunschweig (DEU)
• Germany
• 1500-1600
• Germans
• Italy
• Speeckaert, Hans, d.1577
• Clerck, Hendrik de, 1570-1629
• Ovid (Publius Ovidius Naso), 43 B.C.-ca.17 A.D.
• Metamorphoses
• Sources
• Copies
• Three Graces
• Comparison
• Tiziano Vecellio, b.1488-1490, d.1576
• National Gallery of Art||Washington, DC (USA)
• Influence
• Venus
• Adonis
• Iconography

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Allemagne
• Aachen, Hans von, 1552-1615
• Peinture
• Vénus et Adonis
• Herzog Anton Ulrich-Museum||Braunschweig (DEU)
• Allemagne
• 1500-1600
• Allemands
• Italie
• Speeckaert, Hans, m.1577
• Clerck, Hendrik de, 1570-1629
• Ovide (Publius Ovidius Naso), 43 av. J.C.-v.17 ap. J.C.
• Métamorphoses
• Sources
• Copie
• Les Trois Grâces
• Comparaison
• Tiziano Vecellio, n.1488-1490, m.1576
• National Gallery of Art||Washington, DC (USA)
• Influence
• Vénus
• Adonis
• Iconographie

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00428093

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