Striking a balance

Author

Gamwell, Lynn

Document type

Compte rendu d'exposition

Language

English

Source

Museum news. 1990, Num. 4, Vol. 69, p. 58-62, 3 col. ill.

ISSN

0027-4089

Abstract (en)

Taking as a point of departure Donald Kuspit's claim that the true critic is as creative and imaginative as the true artist, discusses three exhibitions of the 1980s that show the results of presenting art and theory on the same level: Berlin art: 1961-1987, at the Museum of Modern Art, New York; Made in USA: an Americanization of modern art, the '50s and '60s, at the University Art Museum of the University of California, Berkeley; and The spiritual in art: abstract painting 1890-1985, at the Los Angeles County Museum of Art, Los Angeles.

Subject (en)

• General history of art -- 1945-present
• Art criticism
• Exhibitions
• 1980-1990
• United States
• Art
• Abstract art
• Germany
• Berlin (DEU)
• Painting
• Museum of Modern Art||New York (NY, USA)
• Los Angeles County Museum of Art||Los Angeles (CA, USA)
• Modernism
• Spirituality

Subject (fr)

• Histoire générale de l'art -- 1945-présent
• Critique d'art
• Exposition
• 1980-1990
• Etats-Unis
• Art
• Abstrait (art)
• Allemagne
• Berlin (DEU)
• Peinture
• Museum of Modern Art||New York (NY, USA)
• Los Angeles County Museum of Art||Los Angeles (CA, USA)
• Modernisme
• Spiritualité

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19920701-00428909

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