Discusses three drawings in the Biblioteca Marucelliana, Florence (B.143, B.149, B.150), all studies of rural houses (cascinali). Reattributes one of them (B.150) and a painting (art market), formerly attributed to Jacques Callot, to Filippo Napoletano and dates them to Filippo's sojourn in Florence, 1617-1621, when he and Callot became friends.
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