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The sanctification of nature : observations on the origins of trompe l'oeil in Netherlandish book painting of the fifteenth and sixteenth centuries

Author
Kaufmann, Thomas DaCosta; Kaufmann, Virginia Roehrig
Document type
Article (journal)
Language
English
Source
J. Paul Getty Museum journal. 1991, Vol. 19, 43-64, 27 ill.
ISSN
0362-1979
Abstract (en)
Examines illuminations by Joris Hoefnagel in the Bocskay Mira calligraphiae monumenta (Malibu, J. Paul Getty Museum, MS 20, 86.MV.527) as a stage in the development of independent still life and trompe-l'oeil illusionism; relates his nature studies to the history of Flemish so-called Ghent-Bruges manuscript illumination of the late 15th and early 16th cs. Proposes that the development of illusionistic depictions in the margins of Ghent-Bruges manuscripts derives from the imitation of pilgrimage badges and naturalia attached to the pages of earlier devotional manuscripts, associated with pilgrimages.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19921001-00430052

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