Citing texts by John Armleder and Michel Foucault, considers the phenomenon of recapitulation in relation to abstract painting. Notes the relationship between a suprematist painting by Kazimir Malevich and a recapitulation of that image in paintings of the 1960s-1980s by Armleder, Blinky Palermo, Ad Reinhardt, Sherrie Levine, Peter Schuyff, and many others.
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