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Bernart van Orley, peintre-inventeur

Author
Ainsworth, Maryan Wynn
Document type
Article (journal)
Language
English
Source
Studies in the history of art. 1990, Vol. 24, 41-64, [1] p. of pl., 29 ill. (1 col.)
ISSN
0091-7338
Abstract (en)
Examines the stage of van Orley's development as a tapestry designer in which he conceived of tapestries as woven paintings, exemplified by three works in the National Gallery, Washington. Studies the Lamentation, related to the Haneton triptych, ca.1520-25, in the Musées royaux des beaux-arts, Brussels; argues that the border with putti was based on Vincidor's cartoons for the Playing Putti series after Raphael, establishing a terminus post quem of 1521 for the tapestry. Also discusses the Last Supper and Christ in the Garden of Gethsemane from the duke of Alba's Passion series, here dated 1520-28 on the basis of its sources in works of Dürer and Raphael.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19921001-00433525

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license