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The sculptures of the nymphaeum at Lainate : the origins of the Mellon Venus and Bacchus

Author
Gentilini, Giancarlo; Morandotti, Alessandro
Document type
Article (journal)
Language
English
Source
Studies in the history of art. 1990, Vol. 24, 135-171, 29 ill.
ISSN
0091-7338
Abstract (en)
Presents evidence establishing that the Mellon Venus and Bacchus, bronze sculptures that entered the National Gallery of Art (Washington) as works of Sansovino, were in the nymphaeum of the Visconti Borromeo villa (now Villa Toselli) at Lainate from the mid-17th to the mid-19th cs. Examines the history of the nymphaeum, designed by Martino Bassi for Pirro I Visconti Borromeo to house his collection, and focuses on the sculptures, attributing the decorative program to Lomazzo. Draws attention to the resemblance of the Mellon Venus to a marble Nymph still in sitū, and suggests that Francesco Brambilla furnished the models for both. Assigns the Bacchus to a sculptor working under Brambilla, possibly Gaspare Vismara. (Appendices with a survey of the history of the sculptural decoration of the nymphaeum, and transcriptions of Visconti Borromeo estate inventories (1604, 1611, 1625) and inventories of the villa at Lainate (1656, 1658) as well as descriptions and documents (1784-97 and 1836) mentioning the nymphaeum and the sculptures.)
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19921001-00433530

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