Boboli 90 : atti del convegno internazionale di studi per la salvaguardia e la valorizzazione del Giardino. 1991, p. 371-381
Publisher
EDIFIR, Firenze (ITA)
Publication country
Italy
Abstract
(en)
Relates Max Reinhardt's production of the Midsummer Night's Dream at the first Maggio Musicale festival in Florence (1933) to the cultural policy of the Fascist state. Shows that the choice to use the Boboli gardens for theater was in keeping with Mussolini's propaganda and his call for a new theater. Also discusses the Convegno Alessandro Volta held in Rome in 1934, an international conference on the drama, the themes of which included theater architecture, scenography and stage technique, theater in the moral life of the people, and theater and the state.
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