Cites documentary evidence and especially Tenerani's own account, casting light on the rupture that occurred due to Thorvaldsen's alteration of the sculptures of the Spirits of Life and Death that Tenerani executed after bozzetti by Thorvaldsen (Rome, Galleria comunale d'arte moderna) for the tomb of Eugène de Beauharnais (Munich, Michaels Kirche), reaffirming Thorvaldsen's authorship of these bozzetti.
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