Manet in his generation : the face of painting in the 1860s

Author

Fried, Michael

Document type

Article (journal)

Language

English

Source

Critical inquiry. 1992, Num. 1, Vol. 19, 22-69, 25 ill.

ISSN

0093-1896

Abstract (en)

Focuses on the relationship between painting and beholder. Examines a selection of works by Legros, Fantin and Whistler before turning to Manet, in an attempt to show how the construction of the painting-beholder relationship in the Déjeuner sur l'herbe and other works of the period at once reflects concerns Manet shared with his three contemporaries, and embodies Manet's most radical departure from the norms of their art.

Subject (en)

• General history of art -- 1800-1945 -- Pictorial arts -- Painting and drawing -- France
• Manet, Edouard, 1832-1883
• Painting
• Spectators
• 1860-1870
• France
• Legros, Alphonse, 1837-1911
• Fantin-Latour, Henri, 1836-1904
• Whistler, James McNeill, 1834-1903
• Comparison

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Peinture et arts graphiques -- Peinture et dessin -- France
• Manet, Edouard, 1832-1883
• Peinture
• Spectateurs
• 1860-1870
• France
• Legros, Alphonse, 1837-1911
• Fantin-Latour, Henri, 1836-1904
• Whistler, James McNeill, 1834-1903
• Comparaison

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19930401-00366038

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