Presents an overview of copyright law in Great Britain and the United States, 16th c. to the present, as well as the concept of fair use and trademark law, noting how the law responds to and makes possible the traffic in images characteristic of late-20th c. society. Cites American legal cases involving contemporary artists and their appropriation of mass media and related images in their art works. Concludes that legal conflict arises when appropriated mass media objects and images are also valuable commodities.
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