"Equally lenders and borrowers in turn" : the working and married lives of the Eastlakes

Author

Ernstrom, Adele M.

Document type

Article (journal)

Language

English

Source

Art history. 1992, Num. 4, Vol. 15, 470-485, 4 ill.

ISSN

0141-6790

Abstract (en)

Surveys the independent achievements and writings of Elizabeth Rigby Eastlake and argues that she was an equal partner with Charles Eastlake in their marriage and collaboration; examines metaphors of egalitarian marriage in her review of Ruskin's Modern painters and presents evidence of her shared participation with Eastlake in their publications and their study of art, suggesting that she also shared in his decisions about acquisitions for the National Gallery, London, 1852-1864.

Subject (en)

• General history of art -- 1800-1945 -- United Kingdom
• Eastlake, Charles Lock, 1793-1865
• Eastlake, Elizabeth Rigby, 1809-1893
• Marriage
• Art critics
• Great Britain
• 1800-1900
• National Gallery||London (GBR)
• Acquisitions
• Art historians

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Royaume-Uni
• Eastlake, Charles Lock, 1793-1865
• Eastlake, Elizabeth Rigby, 1809-1893
• Mariage
• Critiques d'art
• Grande-Bretagne
• 1800-1900
• National Gallery||London (GBR)
• Acquisitions
• Historiens de l'art

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19930401-00367523

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