Surveys the independent achievements and writings of Elizabeth Rigby Eastlake and argues that she was an equal partner with Charles Eastlake in their marriage and collaboration; examines metaphors of egalitarian marriage in her review of Ruskin's Modern painters and presents evidence of her shared participation with Eastlake in their publications and their study of art, suggesting that she also shared in his decisions about acquisitions for the National Gallery, London, 1852-1864.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license