Several of the contexts of Savoldo's Dead Christ

Author

Gilbert, Creighton

Document type

Article (journal)

Language

English

Source

Bulletin of the Cleveland Museum of Art. 1992, Num. 1, Vol. 79, 16-35, 6 ill.

ISSN

0009-8841

Abstract (en)

On the basis of deduction and of documentary evidence (including the contract) establishing that Savoldo's altarpiece with the Madonna and Child with Two Angels and Four Saints now in the Pinacoteca di Brera, Milan, was painted for S. Domenico, Pesaro, 1524-25, and included a Dead Christ, proposes that this was the provenance of the Dead Christ with Joseph of Arimathea in the collection of the Cleveland Museum of Art. Also considers related works and other aspects of the painting's context.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Savoldo, Giovanni Girolamo, ca.1480-ca.1548
• Painting
• Italy
• 1500-1600
• Dead Christ with Joseph of Arimathea
• Cleveland Museum of Art||Cleveland (OH, USA)
• Madonna and Child with Angels and Saints
• Pinacoteca di Brera||Milano (ITA)
• Reconstruction [hypothetical]
• S. Domenico||Pesaro (ITA)
• Altarpieces

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Savoldo, Giovanni Girolamo, v.1480-v.1548
• Peinture
• Italie
• 1500-1600
• Christ mort avec Joseph d'Arimathie
• Cleveland Museum of Art||Cleveland (OH, USA)
• Vierge à l'enfant avec anges et saints
• Pinacoteca di Brera||Milano (ITA)
• Restitution intellectuelle
• S. Domenico||Pesaro (ITA)
• Retable

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19930401-00367637

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license