Manet/Manette : encoloring the I/eye

Author

Armstrong, Carol

Document type

Article (journal)

Language

English

Source

Stanford humanities review. 1992, Num. 2-3, Vol. 2, 1-4 6, 11 ill. (1 col.)

ISSN

1048-3721

Abstract (en)

Offers a new account of Manet's painting, based on an examination of the artistic persona he constructed through his art. Focuses on his depictions of Victorine Meurent, including Olympia and Luncheon on the Grass (both Paris, Musée d'Orsay), and examines the critical response to these and other works, in particular in the writings of the Goncourt brothers and Zola.

Subject (en)

• General history of art -- 1800-1945 -- Pictorial arts -- Painting and drawing -- France
• Manet, Edouard, 1832-1883
• Painting
• France
• 1800-1900
• Reception
• Art criticism
• Goncourt family, 19th c.
• Zola, Emile, 1840-1902
• Meurent, Victorine Louise, 1844-1927
• Representation
• Art critics

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Peinture et arts graphiques -- Peinture et dessin -- France
• Manet, Edouard, 1832-1883
• Peinture
• France
• 1800-1900
• Réception
• Critique d'art
• Goncourt, famille, 19~e s.
• Zola, Emile, 1840-1902
• Meurent, Victorine Louise, 1844-1927
• Représentation
• Critiques d'art

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19930401-00367709

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