Replicating mysteries of the Passion : Rosso's Dead Christ with angels

Author

Stefaniak, Regina

Document type

Article (journal)

Language

English

Source

Renaissance quarterly. 1992, Num. 4, Vol. 45, 677-738, 19 ill.

ISSN

0034-4338

Abstract (en)

Discusses Rosso Fiorentino's 1524-1527 painting in the Museum of Fine Arts, Boston. Argues that Rosso's highly idiosyncratic and unprecedentedly equivocal pingenda for representing the historic body of Christus passus were precisely parallel in deep structure (understood in the sense of linguistics) to traditional eucharistic eloquenda, currently being enunciated by Roman theologians.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Rosso Fiorentino (Giovanni Battista di Jacopo), 1494-1540
• Painting
• Dead Christ with Angels
• Museum of Fine Arts, Boston||Boston (MA, USA)
• Italy
• 1500-1600
• Jesus Christ: Dead Christ
• Iconography
• Jesus Christ: Passion
• Eucharist
• Christian iconography
• Theology
• Linguistics

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Rosso Fiorentino (Giovanni Battista di Jacopo), 1494-1540
• Peinture
• Le Christ mort et les anges
• Museum of Fine Arts, Boston||Boston (MA, USA)
• Italie
• 1500-1600
• Christ: Mort
• Iconographie
• Christ: Passion
• Eucharistie
• Iconographie chrétienne
• Théologie
• Linguistique

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19930401-00368400

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