Traces the thematic and metaphysical links between Gallizio's Caverna dell'antimateria (1959), the cycle of "night" paintings (1962), and the final "black" works (1963-1964). Interprets the Caverna as an environment and a performance piece, in the context of the Situationist movement. Identifies an interest in primitivism and the unconscious in Gallizio's work.
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