Advertise the message : images in Rome at the turn of the twelfth century

Author

Bolton, Brenda M.

Document type

Article (acte de congrès)

Language

English

Conference title

Church and the arts

Author (monograph)

Wood, Diana (Editor, Collective Author)

Source

Church and the arts. 1992, 117-130, 1 ill.

Publisher

Blackwell for the Ecclesiastical History Society, Oxford (gbr)

Publication country

United Kingdom

Abstract (en)

Innocent III's attitude to the Uronica and Veronica images (Lateran and S. Peter's), and to relics associated with the basilicas, and his patronage of small-scale art works, is attributed in part to his desire for the Lateran and Vatican to achieve co-equal status.

Subject (en)

• General history of art -- 300-1400 -- Decorative arts -- Metalwork -- Italy
• Innocent III, pope, ca.1160-1216
• Patronage
• Italy
• Vaticano, S. Pietro||Roma (ITA)
• Palazzo del Laterano||Roma (ITA)
• Relics
• Mandylion
• 1200-1300
• Religious articles
• Metalwork
• Painting
• Jesus Christ
• Representation
• Roma (ITA)
• Icons
• Processions
• Christian iconography

Subject (fr)

• Histoire générale de l'art -- 300-1400 -- Arts décoratifs -- Arts du métal -- Italie
• Innocent III, pape, v.1160-1216
• Mécénat
• Italie
• Vaticano, S. Pietro||Roma (ITA)
• Palazzo del Laterano||Roma (ITA)
• Reliques
• Mandylion
• 1200-1300
• Objet religieux
• Art du métal
• Peinture
• Christ
• Représentation
• Roma (ITA)
• Icône
• Procession
• Iconographie chrétienne

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19930401-00368712

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