Relates developments in the English country house in the Elizabethan period to female patronage; examines evidence regarding planning, gender relations, and household structure, as well as the ideological context of domestic planning, and attitudes toward family, sexuality and the female body. Considers Hardwick Hall a watershed because its patron, Bess of Hardwick, was a woman, and because Smythson's design radically altered the typology of the English country house by placing the great hall at the center of a symmetrical plan.
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