Identifies a 30-year period, between the Revolution and the July Monarchy, in the course of which the heroic male nude was gradually displaced by the female nude in French painting, and argues that the ideal, androgynous, homosocial images of masculine beauty produced by David, Girodet, Ingres, and others in the early Neo-classical period indicate a crisis in the representation of the male nude that reflects the crisis in post-revolutionary masculinity.
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