Analyzes the alternative to central perspective set forth by Piero della Francesca in the third book of Prospectiva pingendi; based on orthographic projection and the reduction of surfaces into constellations of dots or survey points, it constitutes a method for treating the foreshortening of multi-faceted and variously positioned bodies. Examines Piero's demonstration of this method in drawings and his use of it in his paintings, and argues that Uccello used the same system in the paintings of the Battle of San Romano.
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