Discusses a graphite self-portrait of 1860, acquired by the Art Institute of Chicago in 1987. Author notes the pensive and disengaged stance struck by the artist, and argues this is indicative of Solomon's search for a place in a society that positioned him--as a Jew and homosexual--outside the boundaries of convention.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license