The reviewer questions the approach of Schwartz and Bok, which deals with Saeredam's background, connections, patronage, associations and artistic production to the exclusion of issues of style and iconography; and notes that the catalogue of the exhibition at the Museum Boymans-van Beuningen in Rotterdam is directed to the explication of master-works as objects of aesthetic contemplation; he calls for a combination of the two approaches.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license