Que [i.e., Qui] peut définir les femmes? : Vigée-Lebrun's portraits of an artist

Author

Radisich, Paula Rea

Document type

Article (journal)

Language

English

Source

Eighteenth-century studies. 1992, Num. 4, Vol. 25, 441-467, 6 ill.

ISSN

0013-2586

Abstract (en)

Focuses on Elisabeth Vigée-Lebrun's 1786 self-portrait with her daughter (Paris, Louvre) and the meanings it took on--the mother and the artist--when she exhibited it at the Salon of 1787 with her Portrait of Marie-Antoinette and Her Children (Versailles, Château), and when in 1788 she painted a Portrait of Hubert Robert as a pendant to it (Paris, Louvre).

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- France
• Vigée-Lebrun, Marie Louise Elisabeth, 1755-1842
• Painting
• Artist and Her Daughter
• Musée national du Louvre||Paris (FRA)
• France
• Self-portraits
• Iconography
• Mothers
• Artists
• Marie-Antoinette, queen of France, 1755-1793
• Portraits
• Robert, Hubert, 1733-1808
• Salon de 1787||Paris (FRA)

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- France
• Vigée-Lebrun, Marie Louise Elisabeth, 1755-1842
• Peinture
• Musée national du Louvre||Paris (FRA)
• France
• Autoportrait
• Iconographie
• Mères
• Artistes
• Marie-Antoinette, reine de France, 1755-1793
• Portrait
• Robert, Hubert, 1733-1808
• Salon de 1787||Paris (FRA)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19940101-00338762

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license