Examines works of individual members of the print cooperative, including Leopoldo Méndez, Pablo O'Higgins, and Andrea Gómez; notes that the decline of this socially committed group was due to a phase of support for the goals of the government in the late 1950s and the triumph of abstractionism over Mexican realism in the 1960s. (Part 1 appeared in Latin American art, 1992, 4, no 2 (summer), p. 65-67).
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