Analyzes the architecture and decoration of the Norman chapel, originally erected by Roger II beginning in the 1130s, in an attempt to explain the hybrid nature of the structure, which combines Byzantine and Islamic features. Aims to elucidate the relationship between the material forms of the chapel and the rituals and liturgies that took place there. Considers the iconography of the mosaic decorations, and the functional axes of the chapel, which is organized with a north-south orientation. Investigates the placement of two throne platforms in the chapel, and demonstrates the important role of the king in worship practices as the only individual who moved between the earthly and the heavenly realms.
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