The romantic possibilities of scenery : Ibsen's mountain kingdoms and the Dresden school of landscape art

Author

Durbach, Errol

Document type

Article (journal)

Language

English

Source

Annals of scholarship. 1992, Num. 3, Vol. 9, 279-291

ISSN

0192-2858

Abstract (en)

Attributes Ibsen's interest in and use of landscape in part to the Dresden school of painting. Compares conflicting views of nature in Ibsen's last plays to the opposing visions of the two pillars of the Dresden school: Caspar David Friedrich and Johan Christian Dahl.

Subject (en)

• General history of art -- 1800-1945 -- Pictorial arts -- Painting and drawing -- Germany
• Ibsen, Henrik, 1828-1906
• Drama
• Painting
• Germany
• Dresden (DEU)
• 1800-1900
• Landscape
• Romanticism
• Scenography
• Friedrich, Caspar David, 1774-1840
• Dahl, Johan Christian Clausen, 1788-1857
• Influence
• Norway

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Peinture et arts graphiques -- Peinture et dessin -- Allemagne
• Ibsen, Henrik, 1828-1906
• Pièce de théâtre
• Peinture
• Allemagne
• Dresden (DEU)
• 1800-1900
• Paysage
• Romantisme
• Scénographie
• Friedrich, Caspar David, 1774-1840
• Dahl, Johan Christian Clausen, 1788-1857
• Influence
• Norvège

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19940401-00342617

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