Notes a tendency in 17th c. Danish pictorial arts where the use of graphic models from Catholic countries, chiefly Antwerp, became very common. There prevailed in Denmark a homogeneous culture dominated by the Lutheran orthodoxy, and accordingly "Catholic" models could not be regarded as dangerous as long as they were not contrary to evangelical Christianity. Concludes that a clear-cut division between "Catholic" and "Lutheran" iconographies is no longer possible in the 17th c.
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