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The myth of Bohemia and the savage other : Paul Wayland Bartlett's Bear tamer and Indian ghost dancer

Author
Somma, Thomas P.
Document type
Article (journal)
Language
English
Source
American art. 1992, Num. 3, Vol. 6, 14-35, 21 ill. (2 col.)
ISSN
1073-9300
Abstract (en)
Studies the iconography of Bartlett's two sculptures, 1885-1889 (the Bear Tamer, New York, Metropolitan Museum of Art; the Indian Ghost Dancer, Washington, National Museum of American Art). Indicates classical as well as 19th c. French sources for the works which were executed by the American artist who was active in Paris, noting in particular the influence of Rodin and Frémiet. Considers the subjects--a Bohemian bear-leader, and a Native North American dancer--in the light of late 19th c. writings on racial difference, human evolution and degeneracy, suggesting that many of the Europeans and Americans who were appalled by the subjects of the sculptures at the same time considered them to represent the "savage other" that functioned as a foil for their own civilized society.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19940701-00344554

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license