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Eighteenth-century estate design and theatrical illusion

Author
Roosevelt, Priscilla
Document type
Article (acte de congrès)
Language
English
Conference title
New perspectives on Russian and Soviet artistic culture : selected papers from the Fourth World Congress for Soviet and East European Studies, Harrogate, 1990
Author (monograph)
Norman, John O. (Editor, Collective Author)
Source
New perspectives on Russian and Soviet artistic culture : selected papers from the Fourth World Congress for Soviet and East European Studies, Harrogate, 1990. 1994, 7-16, 4 ill.
Publisher
St. Martin's, New York (usa)
Publication country
United States
Abstract (en)
Examines the relationship between elite culture and theatricality in the contruction and use of imperial and private residences. Discusses the influences of Italian neo-classical revival architecture, brought to Russia by Italian architects, theater designers and perspectivist painters, who trained Russian artists such as Aleksei Belskii and Mikhail Makhaev. Compares British and Russian estates of the 18th c., showing that the Russian autocracy's determination to remake court and aristocratic culture in the image of their western counterpart elites resulted in the close interaction of architecture, landscaping, ritual, theater and public spectacle. It therefore became a political imperative to emulate the imperial court in this regard and to hire the best architects and designers to demonstrate one's public commitment to high culture and westernization. Among the designers and architects discussed are Charles Cameron, Giacomo Quarenghi, Pietro Gonzago, and Nikolai Lvov.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19940701-00344725

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