Replies to Andreas Blühm's article "Ludwigs Lücken" (Kunstchronik, 46, no 9, p. 513-521), which argued that the Germanisches Nationalmuseum, Nuremberg, was influenced by the collectors Irene and Peter Ludwig in their treatment of Nazi sculptor Arno Breker in the 1993 exhibition and catalogue LudwigsLust. Eissenhauer responds by reprinting part of an essay he wrote for the catalogue in which he addresses some of Blühm's issues.
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