Examines the former LCC's provision of art for its housing estates, schools and other properties, through a series of exhibitions (1948-1963) and an acquisitions programme (1956-1965), which provide insights into attitudes to state and institutional patronage, to the public, and to theoretical formulations of "public art." Compares its role with that of the Arts Council, established in 1946.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license