Originali greci e copie romane secondo Giovanni Battista ed Ennio Quirino Visconti

Author

Gallo, Daniela

Document type

Article (journal)

Language

Italian

Source

Labyrinthos. 1992, Num. 21-24, Vol. 11-12, 215-251, 8 ill.

ISSN

0393-0807

Abstract (en)

Study of the evolution of the antiquarian connoisseurship of E.Q. Visconti, from his early collaboration with his father Giovanni Battista in mounting and cataloguing the collections of the Museo Pio Clementino in the Vatican (Rome), to his activity as curator of antiquities at the Louvre, Paris; focuses on the distinction between copies and originals regarding ancient sculptures. Emphasizes the significance of the methodology developed by Ennio Quirino (anticipating Winckelmann and 19th c. German archaeological theory), based on the scheme of prototype, replicas, and variants.

Subject (en)

• General history of art -- 1400-1800 -- Italy
• Visconti, Ennio Quirinio, 1751-1818
• Visconti, Giovanni Battista, 1722-1784
• Connoisseurship
• Sculpture
• Ancient [art]
• Copies
• Greek
• Roman [style]
• Italy
• Antiquarianism
• Archaeology
• Methodology
• Musée national du Louvre||Paris (FRA)
• Curators
• Vaticano, Museo Pio Clementino||Roma (ITA)

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Italie
• Visconti, Giovanni Battista, 1722-1784
• Connoisseurship
• Sculpture
• Antique (art)
• Copie
• Grec (art)
• Romain (art)
• Italie
• Antiquarianisme
• Archéologie
• Méthodologie
• Musée national du Louvre||Paris (FRA)
• Conservateurs
• Vaticano, Museo Pio Clementino||Roma (ITA)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19941001-00346629

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