"Col tempo" : l'allegoria e l'ultima verità del ritratto

Author

Vescovo, Piermario

Document type

Article (journal)

Language

Italian

Source

Eidos. 1992, Num. 10, 47-61, 6 ill. (3 col.)

ISSN

0394-6401

Abstract (en)

Studies Gabriele Vendramin, his attitude toward his collection, and his approach to art, as exemplifying the nature of the relationship of the collector to his possessions; and interprets Giorgione's painting of an Old Woman (Venice, Accademia) as an allegory and personification of old age, drawing attention to the fact that it originally had a painted cover with a portrait of a young man, although Vendramin had the two hung separately; relates the allegorical combination to Dürer's Portrait of a Man (Vienna, Kunsthistorisches Museum) with the allegorical image of an old woman, known as Avarice, on the back.

Subject (en)

• General history of art -- 1400-1800 -- Italy
• Vendramin, Gabriele, 1484-1552
• Collections
• Collectors
• Italy
• 1500-1600
• Giorgione (Giorgio da Castelfranco), 1477/78-1510
• Painting
• Old Woman
• Gallerie dell'Accademia||Venezia (ITA)
• Dürer, Albrecht, 1471-1528
• Portrait of a Man
• Kunsthistorisches Museum Wien||Wien (AUT)
• Old age
• Allegory
• Avarice
• Germany

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Italie
• Vendramin, Gabriele, 1484-1552
• Collections
• Collectionneurs
• Italie
• 1500-1600
• Giorgione (Giorgio da Castelfranco), 1477/78-1510
• Peinture
• La Vieille
• Gallerie dell'Accademia||Venezia (ITA)
• Dürer, Albrecht, 1471-1528
• Portrait d'homme
• Kunsthistorisches Museum Wien||Wien (AUT)
• Vieillesse
• Allégorie
• Avarice
• Allemagne

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19941001-00346708

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