Sculture lignee policrome : modelli operativi di restauro

Author

Rasario, Giovanna (Contributor)
Mazzoni, Maria Data (Contributor)
Passeri, Roberto (Contributor)
Venturi, Mario (Contributor)

Document type

Article (journal)

Language

Italian

Source

OPD. Restauro. 1993, Num. 5, 108-116, 161-163, 20 ill. (13 col.)

ISSN

1120-2513

Abstract (en)

Discusses methodological issues involved in the restoration of polychrome wooden sculptures as exemplified by the cases of the Crucifixion attributed to Orcagna (Florence, S. Carlo dei Lombardi); the late 16th c. S. Sebastian from the church of Monticello Amiata; and the equestrian group from San Cassiano di Controne, attributed to Jacopo della Quercia.

Subject (en)

• General history of art -- 1400-1800 -- Sculpture -- Italy
• Sculpture
• Wood
• Polychromy
• Italy
• 1300-1500
• Orcagna (Andrea di Cione), act.1343, d.1368
• Crucifixion
• S. Carlo dei Lombardi||Firenze (ITA)
• Della Quercia, Jacopo, ca.1372-1438
• Equestrian Statue
• San Cassiano di Controne (ITA)
• S. Sebastian
• church||Monticello Amiata (ITA)
• Conservation

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Sculpture -- Italie
• Sculpture
• Bois
• Polychromie
• Italie
• 1300-1500
• Orcagna (Andrea di Cione), act.1343, m.1368
• Crucifixion
• S. Carlo dei Lombardi||Firenze (ITA)
• Della Quercia, Jacopo, v.1372-1438
• Statue équestre
• San Cassiano di Controne (ITA)
• Saint Sébastien
• église||Monticello Amiata (ITA)
• Conservation

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19941001-00346798

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